What Makes a Great Portrait?

Ansel Adams, Dorothy and Cole Weston at Home, Ca. 1940

Ansel Adams, Dorothy and Cole Weston at HomeCa. 1940

With the recent arrival of my now 2 1/2 month old son, I’ve been struggling with this very question, especially a “portrait” of someone that is just figuring out who he is, at best, and who is changing so dramatically from week to week. It’s as if the metamorphosis itself is what I am trying to capture when I press the shutter. It’s really made me rethink my approach to taking pictures, and the results thus far have been more the product of sheer chance than any kind of skill. The experience has led me to appreciate portraiture all the more.

Timothy Archibald:

Trying to really pinpoint what makes a great portrait is almost like trying to figure out why it feels good when someone smiles at you or why it is disturbing when someone yells at you.

Jörg Colberg posed the question to various photographers, curators and bloggers. Their responses, including example portraits, are definitely worth a read (via JK).